Welcome, and thank you for visiting my modest gallery tucked away in a quiet corner.

Here you will find a variety of my works—large and small, diverse in character and spirit. I arranged them in this way because, seen together, they may give you a clearer sense of who I am.

To be honest, I often feel my lack of formal training and the limited time I have been able to devote to art. Yet I continue without pause—feeling, learning, and growing in the process.

I am not a master of any single field, nor do I belong wholly to any place. Take what you see as it is, and carry with you whatever impressions remain. Though I began in earnest later in life, I have always sought to keep faith with my first intent—to let neither results nor criticism define me, but to follow the quiet integrity of my own path in art.

At times, a sudden impulse led me to submit small works to competitions, and a few were recognized. In Korea, I once taught art at a high school for about ten years. In 2009, after twenty years of living in Australia, I returned to Korea, where I now work as a sculptor. That, in essence, is the whole of my artistic journey.

I have no interest in heavy philosophy. What moves me are the kinds of impressions that feel like music, and the vivid realities that the world tirelessly brings forth.

I love travel and every kind of documentary, and hold special respect for the creators of BBC Earth, whose programs I watch with admiration. And one thing is certain: without music, I imagine my veins would carry nothing but plain water.

Perhaps artists are simply those who live in the busy square between the entrance of expectation and the exit of fulfillment.

Even if you arrived here by chance, I am grateful.

Yoonki Hong
Born 1952

ADORE-GALLERY
85 Cheongun-ro, Mungyeong-eup, Mungyeong-si Gyeongsangbuk-do, Republic of Korea

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LIFE IS, IN FACT, TENDER. IT ONLY LOOKS HARD

THE DAUGHTER AND THE MOTHER CARRIED IT WITH GRACE, GATHERING WARMTH AS IF IT WERE THEIR OWN CATCH.

 

Life is, in fact, tender. It only looks hard—
but it holds warm and sweet moments, moment by moment.”

These aren’t my words.
They belong to an elderly woman from Georgia who had lived alone for many years. She had just reunited with her daughter, now living far away in Korea, married to a Korean man.

The two of them were sitting together in a quiet restaurant,
soft lights warming the late evening like a blanket, when she spoke those words—not out of sorrow, but in a calm, clear voice,
like someone who had truly lived her life and seen it through.

Look at the open mouth of a grilled clam.
Slice through a steak seared by flame.
Break a crusty baguette between both hands.
Yes, we can find the soft inside just beneath the hard surface.

Those who carry such tenderness belong to a rare species—
quiet, hidden not out of fear, but as if protected by something larger. Perhaps even heaven knows how precious this species is.

And when I walk alone at night, I often find my eyes drifting upward—
not expecting to see something special, but hoping, I suppose.

Not just in the sky— they might be in the trees, in the wind, in the fire, in the water, in the silence of an open field, and in countless places without names.

Sometimes, they lie low, beneath the mud at the bottom of a lake,
hidden somewhere in the universe.
But if we wait patiently, and cast our line with care, we may draw them up— one by one. Shimmering. Breathing.

Tenderness.
Sweetness.
Warmth.

These are not just feelings.
They are the precious species that lift us, gently, from the shell we never knew was hardening around us.

An old mother from Georgia—she was right.

LIFE ISN’T HARD – IT’S JUST WEARING A CRUST

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