Welcome, and thank you for visiting my modest gallery tucked away in a quiet corner.

Here you will find a variety of my works—large and small, diverse in character and spirit. I arranged them in this way because, seen together, they may give you a clearer sense of who I am.

To be honest, I often feel my lack of formal training and the limited time I have been able to devote to art. Yet I continue without pause—feeling, learning, and growing in the process.

I am not a master of any single field, nor do I belong wholly to any place. Take what you see as it is, and carry with you whatever impressions remain. Though I began in earnest later in life, I have always sought to keep faith with my first intent—to let neither results nor criticism define me, but to follow the quiet integrity of my own path in art.

At times, a sudden impulse led me to submit small works to competitions, and a few were recognized. In Korea, I once taught art at a high school for about ten years. In 2009, after twenty years of living in Australia, I returned to Korea, where I now work as a sculptor. That, in essence, is the whole of my artistic journey.

I have no interest in heavy philosophy. What moves me are the kinds of impressions that feel like music, and the vivid realities that the world tirelessly brings forth.

I love travel and every kind of documentary, and hold special respect for the creators of BBC Earth, whose programs I watch with admiration. And one thing is certain: without music, I imagine my veins would carry nothing but plain water.

Perhaps artists are simply those who live in the busy square between the entrance of expectation and the exit of fulfillment.

Even if you arrived here by chance, I am grateful.

Yoonki Hong
Born 1952

ADORE-GALLERY
85 Cheongun-ro, Mungyeong-eup, Mungyeong-si Gyeongsangbuk-do, Republic of Korea

Blog

Monologue

Have you ever seen
a dagger of cold betrayal
hidden inside
a soft cotton quilt?

The lion’s coat glows with beauty.
Yet has the deer’s tooth
ever carried
the cruelty of a serpent?

Why do we turn away—
saying we did not see
what we have seen,
nor hear
what we have heard?

Blackie,

you who wandered far roads
until your tired body
collapsed against my wall—

with what face
do I stand before you now
and ask you to leave?

The rooms we chose to share,
the small table of our living—
they were poor.

Yet did we not trust
each other’s scent?

Just when I had begun
to understand
what happiness was,

with these worn hands of age
I received heaven’s gift
and praised it
with gratitude.

Why then were such gentle beings
sent to me
only to conquer my heart
so easily?

Was it only
to comfort me for a moment—
I who now tremble
in loneliness
while even the last threads
of hope grow dry?

A cold ring of gold
can be slipped from the finger.

But how does one loosen
the fingers
woven together by the heart?

Is a sweetness of heart alone
not enough
to open the sealed door
behind which heaven keeps its answer?

All that is given
and all that is taken away
belongs to You.

Yet leave us our dignity.

And sometimes,
withdraw obedience,

so that even someone stumbling like me
may cross the open plain.

Grant me such a path.

And help me in small things,
so that regret
does not darken my blood.

Above all—

let the cats who leave me
live their lives
knowing only
safety
and joy.

Lead them, I pray,
to someone wiser
and kinder than I,

someone
who will guide them
into peace.

And this I beg of You most—

do not let go
not even for a moment
of Blackie
and the three small kittens.

Hold them always
within Your hands.

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