Welcome, and thank you for visiting my modest gallery tucked away in a quiet corner.

Here you will find a variety of my works—large and small, diverse in character and spirit. I arranged them in this way because, seen together, they may give you a clearer sense of who I am.

To be honest, I often feel my lack of formal training and the limited time I have been able to devote to art. Yet I continue without pause—feeling, learning, and growing in the process.

I am not a master of any single field, nor do I belong wholly to any place. Take what you see as it is, and carry with you whatever impressions remain. Though I began in earnest later in life, I have always sought to keep faith with my first intent—to let neither results nor criticism define me, but to follow the quiet integrity of my own path in art.

At times, a sudden impulse led me to submit small works to competitions, and a few were recognized. In Korea, I once taught art at a high school for about ten years. In 2009, after twenty years of living in Australia, I returned to Korea, where I now work as a sculptor. That, in essence, is the whole of my artistic journey.

I have no interest in heavy philosophy. What moves me are the kinds of impressions that feel like music, and the vivid realities that the world tirelessly brings forth.

I love travel and every kind of documentary, and hold special respect for the creators of BBC Earth, whose programs I watch with admiration. And one thing is certain: without music, I imagine my veins would carry nothing but plain water.

Perhaps artists are simply those who live in the busy square between the entrance of expectation and the exit of fulfillment.

Even if you arrived here by chance, I am grateful.

Yoonki Hong
Born 1952

ADORE-GALLERY
85 Cheongun-ro, Mungyeong-eup, Mungyeong-si Gyeongsangbuk-do, Republic of Korea

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EASY, FOLKSY COPPER

Copper, the Newborn

The ancients returned from the hunt and lit their fire.
Scattered around them were stones fallen from the mountain slopes.
One of them, touched with a greenish hue, slipped into the flames.
All night the charcoal burned hot, swallowing the stone.
When morning came, the fire had left behind something new.
Amid the ashes lay drops of red, glimmering like blood from the earth itself.
In that moment they understood.
Charcoal breathed greater heat into the fire,
and the fire stripped away the stone’s outer shell,
revealing the hidden flesh within—copper.
They did not treat this as mere accident.
Night after night they stoked the fire, cast in stones, and watched.
Each time, when charcoal and air united,
the red metal was born anew.
The wonder became a ritual, the ritual became a craft,
and the craft was passed from one generation to the next.
Thus the first smelters learned a truth:
what they tended was not only stone, and not only fire,
but the marriage of earth and flame—
giving birth to a new life: metal.

#CopperTheNewborn
#AncientMetallurgy
#BronzeAge
#OriginsOfMetal
#FireAndEarth
#CulturalHeritage
#HumanIngenuity
#HistoryOfTechnology
#FromStoneToMetal

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