Welcome, and thank you for visiting my modest gallery tucked away in a quiet corner.

Here you will find a variety of my works—large and small, diverse in character and spirit. I arranged them in this way because, seen together, they may give you a clearer sense of who I am.

To be honest, I often feel my lack of formal training and the limited time I have been able to devote to art. Yet I continue without pause—feeling, learning, and growing in the process.

I am not a master of any single field, nor do I belong wholly to any place. Take what you see as it is, and carry with you whatever impressions remain. Though I began in earnest later in life, I have always sought to keep faith with my first intent—to let neither results nor criticism define me, but to follow the quiet integrity of my own path in art.

At times, a sudden impulse led me to submit small works to competitions, and a few were recognized. In Korea, I once taught art at a high school for about ten years. In 2009, after twenty years of living in Australia, I returned to Korea, where I now work as a sculptor. That, in essence, is the whole of my artistic journey.

I have no interest in heavy philosophy. What moves me are the kinds of impressions that feel like music, and the vivid realities that the world tirelessly brings forth.

I love travel and every kind of documentary, and hold special respect for the creators of BBC Earth, whose programs I watch with admiration. And one thing is certain: without music, I imagine my veins would carry nothing but plain water.

Perhaps artists are simply those who live in the busy square between the entrance of expectation and the exit of fulfillment.

Even if you arrived here by chance, I am grateful.

Yoonki Hong
Born 1952

ADORE-GALLERY
85 Cheongun-ro, Mungyeong-eup, Mungyeong-si Gyeongsangbuk-do, Republic of Korea

POSTS

Someone once drew a line on a wall. No one knew why. It wasn’t a picture. It wasn’t even a beginning— just a line, left behind. The next day, someone stopped. Looked at it. Added another line. Not out of certainty, but out of recognition— as if the first line had asked a question. Days passed. More lines appeared. Curves, interruptions, echoes of what came before. And then,

What are these— puppies, it turns out All this time while the music washed over me my hand wandered unthinking into a jar of sweetness I ate and ate until absence spoke louder than presence only then realizing each one was formed like a plump little puppy Meanwhile Nuna—my cat— lingered in discomfort one eye dimmed by conjunctivitis just back from the clinic A breath returned to the body coffee cooling beside me smoke rising without urgency Puppies Puppies I tell myself now It

I look at a single, small point. She is, to the point of sorrow, too complete. Perched upon the wall, I saw her eyes searching every furrow of the field where the man once came. No trace, no scent of living flesh returns. As she stands on the verge of becoming an unmoving statue guarding a temple, she finally draws in the indifferent air and enters the room. When I put out my

A Korean guest, invited into a Danish home, listens as the host takes some time to explain why all the indoor lighting in the house is placed below eye level. Hygge. With this unfamiliar word, my gently drifting thoughts begin to stir— and yet, like being singed by a quiet flame, the feeling slowly spreads and begins to take hold of my whole

Her name is Today— no, this moment. Breakfast barely tasted, what they wait for is the world outside. For Latte perhaps the spirited girl he once chased and quarreled with in the heat of play. For Nuna perhaps the handsome wanderer who once called her name from the shadow beneath a car. Latte leaves without promise, as if tomorrow were guaranteed. But Nuna stays by the door. She waits as though the iron

Have you ever seen a dagger of cold betrayal hidden inside a soft cotton quilt? The lion’s coat glows with beauty. Yet has the deer’s tooth ever carried the cruelty of a serpent? Why do we turn away— saying we did not see what we have seen, nor hear what we have heard? Blackie, you who wandered far roads until your tired body collapsed against my wall— with what face do I