Welcome, and thank you for visiting my modest gallery tucked away in a quiet corner.

Here you will find a variety of my works—large and small, diverse in character and spirit. I arranged them in this way because, seen together, they may give you a clearer sense of who I am.

To be honest, I often feel my lack of formal training and the limited time I have been able to devote to art. Yet I continue without pause—feeling, learning, and growing in the process.

I am not a master of any single field, nor do I belong wholly to any place. Take what you see as it is, and carry with you whatever impressions remain. Though I began in earnest later in life, I have always sought to keep faith with my first intent—to let neither results nor criticism define me, but to follow the quiet integrity of my own path in art.

At times, a sudden impulse led me to submit small works to competitions, and a few were recognized. In Korea, I once taught art at a high school for about ten years. In 2009, after twenty years of living in Australia, I returned to Korea, where I now work as a sculptor. That, in essence, is the whole of my artistic journey.

I have no interest in heavy philosophy. What moves me are the kinds of impressions that feel like music, and the vivid realities that the world tirelessly brings forth.

I love travel and every kind of documentary, and hold special respect for the creators of BBC Earth, whose programs I watch with admiration. And one thing is certain: without music, I imagine my veins would carry nothing but plain water.

Perhaps artists are simply those who live in the busy square between the entrance of expectation and the exit of fulfillment.

Even if you arrived here by chance, I am grateful.

Yoonki Hong
Born 1952

ADORE-GALLERY
85 Cheongun-ro, Mungyeong-eup, Mungyeong-si Gyeongsangbuk-do, Republic of Korea

Sculpture

SPAWNING SEASON CLOSURE

– created in 2023

ON THE BEACH

 – sketched 2016

– produced in April 2024

WOMAN IN BLUE

– produced in May 2023

– produced in 1986 – Burning with a gas torch and scratching

SITTING ON A HILL

– produced in December 2022

– produced in 1986 – Burning with a gas torch and scratching

CHIEF'S DAUGHTER WHO BECAME A MYTH OF THE CRESCENT MOON

– produced in March 2023

– sketched in 2010

LOST IN THE GAZE

– produced in November 2022

At the entrance of Gyeongmo Memorial Park in Paju, as the horse pulling a carriage with passengers passed by me, it quickly averted its gaze from me, and all I could see were its dull white irises. It must have been embarrassing for the horse to reveal its submission to the fate of pulling carriages for people

THE OCEAN'S EMBRACE

– produced in January 2023

FORSAKEN MEMORIES

– produced in September 2022

I created this artwork while imagining the suffering and sadness of the victims of Japanese military sexual violence, lying in a foreign land, yearning for the warm embrace of their homeland.
This piece is based on a picture from that time when she is holding her pregnant belly in a group photo with other women

GRINNING SOLES

 – produced in August 2022

I created this artwork while laughing along, as if the worn-out soles of my shoes had fulfilled their own roles

CATERPILLAR 1 & 2

– produced in March 2020

It is made up of two pieces split in half, which can be transformed depending on the combination

– sketched in February 2014

MOTHER OF THE SEA

– produced in September 1982

PRAYING VIRGIN MARY

BLOOMING FROM THE SEA
NUDE
TRANQUIL LAKE
TRIANGLE