Welcome, and thank you for visiting my modest gallery tucked away in a quiet corner.

Here you will find a variety of my works—large and small, diverse in character and spirit. I arranged them in this way because, seen together, they may give you a clearer sense of who I am.

To be honest, I often feel my lack of formal training and the limited time I have been able to devote to art. Yet I continue without pause—feeling, learning, and growing in the process.

I am not a master of any single field, nor do I belong wholly to any place. Take what you see as it is, and carry with you whatever impressions remain. Though I began in earnest later in life, I have always sought to keep faith with my first intent—to let neither results nor criticism define me, but to follow the quiet integrity of my own path in art.

At times, a sudden impulse led me to submit small works to competitions, and a few were recognized. In Korea, I once taught art at a high school for about ten years. In 2009, after twenty years of living in Australia, I returned to Korea, where I now work as a sculptor. That, in essence, is the whole of my artistic journey.

I have no interest in heavy philosophy. What moves me are the kinds of impressions that feel like music, and the vivid realities that the world tirelessly brings forth.

I love travel and every kind of documentary, and hold special respect for the creators of BBC Earth, whose programs I watch with admiration. And one thing is certain: without music, I imagine my veins would carry nothing but plain water.

Perhaps artists are simply those who live in the busy square between the entrance of expectation and the exit of fulfillment.

Even if you arrived here by chance, I am grateful.

Yoonki Hong
Born 1952

ADORE-GALLERY
85 Cheongun-ro, Mungyeong-eup, Mungyeong-si Gyeongsangbuk-do, Republic of Korea

Sculpture 2

A MOTHER OF GAZA - IN MY ARMS, YOU WILL KNOW NO FEAR

created in 2025

BORN A HORSE, I CRY - A RHAPSODY OF HOOVES AND HOLLOW JOY

말이어서 운다 –발굽과 공허한 축하의 랩소디 created in 2025

A LONG COIL SPRING, STANDING IN FOR THE TAIL, CAN BE PLUCKED LIKE A GUITAR STRING—EVOKING THE CRY OF A HORSE. TOUCH THE SCULPTURE, AND YOU WILL FEEL THE DEEP VIBRATIONS RESONATE THROUGH YOUR HAND. THIS IS A SCULPTURE MEANT TO BE EXPERIENCED, NOT JUST SEEN

Most recently, there was a quiet dialogue—unspoken but piercing—that occurred during the live broadcast of the Paris Olympics opening ceremony. In the rain-drenched night, a white horse trudged through the city streets, head bowed the entire way. Upon reaching its destination, the driver dismounted and handed the reins to another. At that instant, the horse lifted its head high and shook it violently, resisting. Perhaps that, at least, was a kind of victory.

[너도 말이구나 – YOU ARE ME] – THEY SAY IT IS A BLESSING. I KNOW IT IS HUMILIATION. I WAS BORN TO RUN— NEVER FREELY. MY SKY IS A SQUARE. MY MOUTH IS CLOSED. YOUR CROWN SITS ON MY BACK. MY CHILD IS BORN. ALREADY HARNESSED. ALREADY MOURNED. THEY CALL IT CELEBRATION. IT ECHOES LIKE DRUMS. IT GLEAMS LIKE A CAGE. I WHISPER: “RUN. BE NO ONE’S ROAD BUT YOUR OWN.” BUT I KNOW. YOU’LL LEARN TO BOW TO REINS TOO BEAUTIFUL TO REFUSE. AND I—WE— STILL CRY. BECAUSE WE ARE HORSES.

BORN A HORSE, I CRY – A RHAPSODY OF HOOVES AND HOLLOW JOY

I was born to run,
but never once have I run
my own way.

The fields unfurl beneath my hooves,
but only in dreams
do they whisper with the wind.

Above my head,
a square sky
is diced by the stable’s beams.

When the saddle fell on my back,
and the bit silenced my mouth,
not once
did I raise my head to say “no.”

Your answer
would have been the whip.
My path
was your reins.

You climbed upon my back
and crowned yourself a king.
But I—
I have never been my own master.
I am not myself.
I am a horse.

My legs fold
beneath the weight of wagons.
With every gasp
through flared nostrils,
the carousel of delusion
vomits and
washes out even my sight.

Tears, mixed with dust,
run like sweat—
pretending not to be sorrow.

And today—
I see my newborn foal.
Yes,
you are a horse too.

Already etched
into your soft spine
are the laws of hooves and harness.

In the stable,
hoofbeats echo
like war drums.

One prepares a golden saddle
to celebrate your birth,
another—a lavish carriage
for the parade.

Gleaming iron trimmings,
rose-tinted bells,
tassels of color on taut reins…

They call it a blessing.
I call it humiliation.
And I sank to the ground—
wrapped in silence.

I wanted to cry.
No—
I truly cried.

A blunt, faltering sound
spilled from my mouth.
A shard of silence
clung to my shin…

Child,
may you run.
Truly run.
May no one ever own your back.
May your legs
be your only road.

But I know.
I know—
you will birth your guilt as I did.
Our fate has always
been bound by cords,
bridles
too beautiful to resist.

even tomorrow,
I will cry.
Because I am a horse.