Welcome, and thank you for visiting my modest gallery tucked away in a quiet corner.

Here you will find a variety of my works—large and small, diverse in character and spirit. I arranged them in this way because, seen together, they may give you a clearer sense of who I am.

To be honest, I often feel my lack of formal training and the limited time I have been able to devote to art. Yet I continue without pause—feeling, learning, and growing in the process.

I am not a master of any single field, nor do I belong wholly to any place. Take what you see as it is, and carry with you whatever impressions remain. Though I began in earnest later in life, I have always sought to keep faith with my first intent—to let neither results nor criticism define me, but to follow the quiet integrity of my own path in art.

At times, a sudden impulse led me to submit small works to competitions, and a few were recognized. In Korea, I once taught art at a high school for about ten years. In 2009, after twenty years of living in Australia, I returned to Korea, where I now work as a sculptor. That, in essence, is the whole of my artistic journey.

I have no interest in heavy philosophy. What moves me are the kinds of impressions that feel like music, and the vivid realities that the world tirelessly brings forth.

I love travel and every kind of documentary, and hold special respect for the creators of BBC Earth, whose programs I watch with admiration. And one thing is certain: without music, I imagine my veins would carry nothing but plain water.

Perhaps artists are simply those who live in the busy square between the entrance of expectation and the exit of fulfillment.

Even if you arrived here by chance, I am grateful.

Yoonki Hong
Born 1952

ADORE-GALLERY
85 Cheongun-ro, Mungyeong-eup, Mungyeong-si Gyeongsangbuk-do, Republic of Korea

Odds & Ends

DONGKUNGDDA SOUND SEED

– 덩쿵따 소리씨앗

Promotional video production for a Neurimbo publisher’s children’s picture book “Dongkungtta sound seed”

– 2014

SKETCHES

– SEQUENCE 01-1

DIGITAL

*201623불바람-광화문촛불시위 copy 2

Gwanghwamun Candlelight, 2016

POSER WORK - 2002

말시
CLOSING TIME
느낌
AT THE DOOR OF THE SIXTH SENSE
날개
COCK-A-DOODLE-DOO
수평선
ISLAND
굴뚝
CHIMNEY
여름부채질
SUMMER
암술
PISTIL
옷
CLOTH

COIN DESIGN

Millennium Coin Design

Selected by Canberra Mint for the final shortlist in the Australian Millennium Coin Design Competition, 1999

Coin Design

Experimental Coin Design

BOOKCOVER

BUILDING DESIGN - 2003

빋링-아이스벅

ICEBERG

Designed with layered variations of musical rhythms

빌딩-팁5

TIP 5

빌딩-카지노

AYRES CASSINO

빌딩-조각

120+

Though it may sound strange, the final piece of my life could be a 120+ story building, shaped like a tower entirely covered in glass. It’s a silhouette of a woman, gracefully poised by the riverside that I sketched in Illustrator twenty years ago. Let’s look forward to it^

CONCEPT SKETCH

CONCEPT DESIGN FOR THE SEWOL FERRY MEMORIAL SCULPTURE - 2014

세월호기념비

Thousand Winds (My Soul Becomes the Winds)

This design is a heartfelt expression of sorrow and consolation, dedicated to remembering the tragic sinking of the MV Sewol in 2014, which claimed the lives of 304 people, including 5 missing individuals. Among the 476 passengers, the loss of 250 high school sophomores and 11 teachers was particularly heart-wrenching. In commemoration of the victims, the song called ‘Thousand Winds’ or ‘My Soul Becomes the Winds’ composed by Korean composer Kim Hyo-geun, is often play at memorial gatherings

This sculpture portrays parents who cannot easily let go of their children, who perished with the sunken Sewol ferry, as they endlessly wait by the sea. The surface of the blue sculpture (standing father) is adorned with white clouds, symbolizing hope, while the pink sculpture (exhausted mother sitting) is decorated with floral patterns, symbolizing the love and remembrance of many mourners dedicated to the spirits of the deceased children.

At the bottom of the ‘The songs I love’ section, you can listen to ‘Thousand Winds’ performed on the violin and orchestra